Suicide is a poem,
I say, and pause.
They do not look convinced.
A tragedy, perhaps, reply their faces.
No rhyme or reason. No heroic meter.
A travesty, at that.
Itâs how you read it, I suggest.
The poemâs power lies not
in the text itself, alone, nor in some obscure
intent within the authorâs mind or soul.
Itâs more a conversation than
the period that concludes a sentence.
Even one of death.
Itâs the question mark that
precludes a glib interpretation.
You must read aloud,
and listen, first, to what it says
to you. And you, and you.
No one hears the poem alike.
It speaks a secret language to the heart
of each. Different, and unique.
No one stays the same, one reading
to the next. The ear itself has changed,
indeed, the world, too. The text,
meanwhile, remains.
Suicide is a poem,
I say again. Their faces cloud,
but I persist.
Itâs different now
than when you heard it first,
if you donât resist, you see?
It matters not so much
what the author meant to say or do,
but how it sounds to me
and what it touches
inside you.
Weâre meant to read it
time and time again,
with different voices.
Until, one day, we understand
the poetâs choicesâfrom the inside out.
Now the words belong to us, alone.
As if the fingers were our own.
And we had penned
the blessed poem.
Their faces soften. I relent.
Iâm not even sure that I know
what I meant.
****
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